THE BASIC PRINCIPLES OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They will often be yearning romantics, with this particular variance: Buster looks a plausible mate, and also the Tramp rarely seems to have a libido, only idealized notions. If their comedies had been manufactured in a far more liberated time, it is feasible to assume Keaton in bed with a lady, but disquieting to think of the Tramp being a sexual